Milk and
Scissors
"Milk and Scissors comes closer to
capturing the lean, lovelorn soul of old-time country than any
of the thirty-something other neocountry records I've waded through
this week..."
Monica Kendrick, The Chicago Reader, 8/97.
"Country music has a strong and proud legacy of songs
about death, lost love, and broken-down dreams. Chicago's Handsome
Family...draw on that rich heritage but bring in their own absurdist
postmodern sensibility to the strum-and-twang mix, blending Kafkaesque
scenarios with Carter Family crooning and Dali-like imagery with
the whiskey-soaked balladry of Hank Williams. It all adds up to
an evocative, oddly compelling fusion of the old and the new on
Milk and Scissors."
The Boston Phoenix, 7/96.
On the first sweet listen, they seem simple. Hear those near-perfect
pop\country sensibilities? Second listen reveals the stray hairs,
the twitchy, shifty eyes, the nervous laughter. By the third time
out its time to call the cops, 'cause they've dug a lot of holes
in their lawn with that backhoe and what are all those smelly
janitor drums doing in the garage? They're an evil REM with their
dirty uncle Gram Parsons."
Kate Messner, Austin Chronicle, 3/95.
"Songwriting and marital partners Brett and Rennie Sparks
have something of a yin and yang relationship, with Brett's gorgeous
lyricism providing the perfect tonic for his wife's surreal
psychobilly...
"The Last" an absolutely stunning ode to aging, longing
and regret, would be a perfect vehicle for either Merle Haggard
or George Jones."
Bill Friskics-Warren, Nashville Scene, 3/95.
Invisible Hands (VINYL-ONLY EP. NOW OUT OF PRINT).
Song list:
Tin Foil, Barbara Allen, Birds You Can Not See, Down That Foggy
Road, Grandmother Waits For You, Cathedrals
"Solemn, beautiful, slow and thoughtful. Rennie Sparks'
lyrics are, as always, so beautiful..."
The Lumpen Times, Chicago, IL
"The darkest, moodiest music they've ever released."
Randall Roberts, Riverfront Times, St. Louis, MO
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